Miles Morales: Spider-Man (USA) di Ahmed & Garron

[No Use For A Name]

Writer Saladin Ahmed and artist Javier Garron will launch a new ongoing series titled Miles Morales: Spider-Man this December.

[Arkin Torsen]

Ahmed 

[katzenberg]

Sono contento, il team creativo mi piace!   

[No Use For A Name]

Vediamo se riuscirà a fare meglio di Bendis.

[ciel]

L'accoppiata Ahmed-Garron può rivelarsi decisamente interessante.

[No Use For A Name]

MILES MORALES: SPIDER-MAN #1
SALADIN AHMED (W)
JAVIER GARRÓN (A)
Cover by BRIAN STELFREEZE
VARIANT COVER BY JAVIER GARRON
VARIANT COVER BY ELIZABETH TORQUE
FANTASTIC FOUR VILLAINS VARIANT COVER BY MARKO DJURDJEVIC
ANIMATION VARIANT COVER ALSO AVAILABLE
Balancing his normal life, school, parents, etc...and super-heroing has never been easy, but when the Rhino and a cadre of mysterious criminals start plaguing Brooklyn, things take a dark turn. And Miles doesn't even know the half of it yet. Eisner Award-winner Saladin Ahmed (BLACK BOLT) and Young Gun Javier Garrón (ANT-MAN & THE WASP) bring you the latest incarnation of the coolest character in the Marvel Universe!
32 PGS./Rated T ...$3.99

[Azrael]

First Look: MILES MORALES: SPIDER-MAN #1 Interior Art


https://www.newsarama.com/41881-first-look-miles-morales-spider-man-1-interior-art.html

[Azrael]

Miles Morales Is Doing Something Pretty Stupid In His New Solo Series


https://www.cbr.com/miles-morales-secrets-spider-man-solo-series/

[No Use For A Name]

MILES MORALES: SPIDER-MAN #2
SALADIN AHMED (W)
JAVIER GARRON (A)
Cover by MARCO D'ALFONSO
VARIANT COVER BY MARCO D'ALFONSO
• Miles is getting closer to solving the mystery of the thievery ring plaguing Brooklyn, but the Rhino has complicated matters quite a lot.
• Rhino doesn't usually have minions preferring to charge alone. What's behind this change of methodology?
• Plus, meet a new antagonist who may just become Miles' most dangerous foe!
32 PGS./Rated T ...$3.99

[No Use For A Name]

Rhino.

[Azrael]

Droppo Miles.

[Azrael]

GARBETT, DJURDJEVIC, GARRON Join In on MILES MORALES: SPIDER-MAN #1 Covers


https://www.newsarama.com/42683-miles-morales-spider-man-1-covers.html

[No Use For A Name]

MILES MORALES: SPIDER-MAN #3
SALADIN AHMED (W)
JAVIER GARRÓN (A)
Cover by Marco D'Alfonso
VARIANT COVER BY SANA TAKEDA
CONCEPT VARIANT COVER BY TBA
• CAPTAIN AMERICA guest-stars!
• Miles and Cap try to get to the bottom of the mystery of the missing kids, but it's not quite that simple.
• A new villain has our heroes' number, and you won't believe how they get out of this jam!
32 PGS./Rated T+ ...$3.99

[No Use For A Name]

Bello il primo numero, anche se molte cose sono cambiate, rispetto alla run di Bendis (cosa che non ha senso).

Sorry but you are not allowed to view spoiler contents.

Forse la maggior parte della colpa ce l'hanno i disegni (non eccezionali), o magari è proprio così.

Mi è piaciuto, davvero molto.
La partenza è molto simile a quella di BMB, vita da college, combattere il crimine, solite cose, e poi arriva Rhino, che regala qualcosa in più alla storia.

Sorry but you are not allowed to view spoiler contents.

Al momento non so cosa aspettarmi, mi auguro solo che mantenga alta la qualità più di quanto abbia fatto Bendis, le aspettative sono alte.

[Azrael]

Miles Morales: Spider-Man #1
Written by Saladin Ahmed
Art by Javier Garron and David Curiel
Lettering by Corey Petit
Published by Marvel Comics
Review by C.K. Stewart
'Rama Rating: 9 out of 10

Just in time for this Friday's Spider-Man: Into the Spider-Verse cinematic wide release, Saladin Ahmed brings a fresh voice to fan-favorite Miles Morales in today's Miles Morales: Spider-Man #1, and it's the perfect way for folks to dive into the comic books if Spider-Verse is their first introduction to the character. Miles' previous solo title wrapped up earlier this year when writer Brian Michael Bendis departed for DC, and Ahmed does an excellent job capturing what made Miles so captivating in Bendis' works while creating a brand new storyline newcomers can dive right into. It's tough to make any  character's background welcoming to new readers, even characters as recent as Miles, but Ahmed skillfully delivers just enough exposition to get readers comfortable with Miles' Earth-616 background without the script getting too bogged down in backstory.

There's a lot to catch up on in Miles Morales' life, and through the framing device of a creative writing class journal assignment, Ahmed and Miles get us up to speed. As Spider-Man (one who is Peter Parker-approved, no less), Miles patrols the streets of New York City, fighting crime and worrying his parents with his adventures. As regular teenager, Miles is scrambling to get enough sleep to maintain the double life of storied hero and high school student. In a one-sided confrontation with Rhino during what appears to be a straightforward robbery, he's forced to face up to the fact that his work-life balance is a little off.

The robbery escalates into something infinitely more sinister involving brainwashed children, leaving Spider-Man and Rhino to get to the bottom of not just the heist, but the disappearances and setting up the larger mystery of this introductory arc. Ahmed touches on serious themes in a way that feels natural to the story without the maudlin, after school special vibe some comics lean into, intentionally or not - while Miles and the situation in the series are fictional, the issues are very real and have a massive impact on people's lives, and Ahmed touches on the current political landscape in a measured way that doesn't underplay what's going on in the real world.

Ahmed's Miles is goofy and relatable in the way you always want a Spider-Man to be, and artist Javier Garron and colorist David Curiel deliver dynamic art and colors that captures the full range of Miles' acrobatic skill. Garron has a great eye for body language and small details in faces, and Curiel's colors and the inks keep the characters warm and lively without muddying up any of Garron's linework. Garron plays with perspective during the heist scene in a clever way to amp up the surprise of Ahmed's climactic reveal. The colors in this sequence are particularly impressive as well - the effects of the gradated reds and yellows of the sunset combined with a bright silhouette that follows Miles' movements is lively and fun and makes the scene pop.

In a time when Marvel's ability to capitalize on its cinematic success with its comic books is questionable at best, it's hard to understate what an impressively timed and well-executed debut issue this is for new readers. Though the book's hitting shelves a little early, anyone curious about Miles after walking out of Into the Spider-Verse will be able to pick up Miles Morales: Spider-Man #1 and feel right at home in just one issue without the stress of navigating decades of old storylines to try to catch up.