Frankenstein, Agent of S.H.A.D.E. + I-Vampire + Resurrection Man (USA)

[Owlman]

ma perchè chiudono le serie belle e lasciano aperte quelle brutte?

Me lo chiedo anchio...

[Walter Kovacs]

ma perchè chiudono le serie belle e lasciano aperte quelle brutte?

Perchè vendono poco.

[Green Lantern]

si ma dai, non ci credo che deathstroke o all star western vendono di più 

[Owlman]

si ma dai, non ci credo che deathstroke o all star western vendono di più 

[Azrael]

Preview: FRANKENSTEIN, AGENT OF S.H.A.D.E. #16

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

[Green Lantern]

è il numero finale questo giusto?

[Azrael]

è il numero finale questo giusto?

Yep 

[Azrael]

4/5

CBR: http://www.comicbookresources.com/?page=user_review&id=5579

[Azrael]

Goodbye, Frankenstein — we hardly knew ye. The horror-superhero comic meant to capitalize on Grant Morrison's Seven Soldiers success is shuffling off this mortal coil with a hero as misunderstood by his readers as he was by the rest of his fictional universe.

When Frankenstein was reintroduced in Seven Soldiers, the operative word for the character was "badass." Shooting, smashing and slashing his way through monsters, aliens and the sands of Mars, Frank was a tank, spewing out poetry like he was Samuel L. Jackson in Pulp Fiction. But that sort of gruesome panache never made the jump to this New 52 series, with Jeff Lemire and now Matt Kindt bringing out something that seems more kitsch than creepy.

Kindt's last and latest story is an example — a done-in-one story about a hapless government agent who gets in hot water after watching Frank's Creature Commandos stop a bioweapon. It's meant to have a funny punchline, but I wasn't really laughing — it felt like a backup rather than a whole comic you're going to drop $2.99 on. Frank's soap opera status quo also felt tired even by the first page of surliness, his poetry even being called out by his friends as lame, almost self-consciously angsty.

Alberto Ponticelli's artwork also kind of missed the point from the original Doug Mahnke-illustrated series. Mahnke knows how to draw horror, using shadows and gore to really drive home the point that Frankenstein really was death in human form. Ponticelli's work just feels quirky and misshapen, down to the vulture-like humans looking up at the monster bomb early on in the series. Frankenstein is hardly imposing, coming off instead as fat and lumpy, and even scenes that call for it being off-the-wall crazy and gory are way too toned down.

DC had a smart idea with this comic, and I'm sure the brain drain for their bigger series with the New 52 didn't help Frankenstein, Agent of S.H.A.D.E. any. But with a character that had such a small track record, sometimes a complete tonal shift isn't the right move for a character like Frankenstein — this was a character that only had four issues and got a huge following, a following which would have grown with more of that proven formula. Unfortunately, the all-new, all-quirky Frankenstein, Agent of S.H.A.D.E. has proven itself an experiment that never reached its full potential.

3/10

Newsarama

[alexmarvel]

ma quindi chiudono sia I vampire che frankenstein?

[Azrael]

ma quindi chiudono sia I vampire che frankenstein?

Frankenstein ha chiuso la settimana scorsa, mentre I, Vampire chiude fra 3 mesi con il #19 

[alexmarvel]

&&@&#%^* 

[Owlman]

&&@&#%^* 

amen, fratello.

[Azrael]

PREVIEW: I, VAMPIRE #16

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

[Green Lantern]

non male il nuovo disegnatore, buon sostituto per sorrentino, considerato che deve fare solo 3 numeri dai.