DC Comics: Progetti Futuri (USA) 1.0

[Azrael]

Animal Man #17 & Swamp Thing #17

[Owlman]

Animal Man #17 & Swamp Thing #17

Per la barba di Odino 

[Azrael]

THRESHOLD #2
Written by KEITH GIFFEN
Art by TOM RANEY
Backup story art by SCOTT KOLINS
Cover by HOWARD PORTER and JOHN DELL
1:25 B&W Variant cover by HOWARD PORTER and JOHN DELL
On sale FEBRUARY 13 • 40 pg, FC, $3.99 US • RATED T
• It's renegade Green Lantern JEDIAH CAUL against BLUE BEETLE! But what is poor Jaime doing stranded in the wildest corners of outer space, anyway?
• And in the Larfleeze backup story, the hunt is on for Larfleeze's stolen power battery — but the clock is ticking on his ring's charge!

[Sawyer88]

I pre-order per JLA non sono ancora stati pubblicati vero?

[Azrael]

YOUNG ROMANCE: A NEW 52 VALENTINE'S DAY SPECIAL #1
Written by ANDY DIGGLE, ANN NOCENTI, CECIL CASTELLUCCI, PETER MILLIGAN and others
Art by GENE HA, EMANUELLA LUPPICHINNO, BECKY CLOONAN, PHIL JIMENEZ, SANFORD GREEN and others
Cover by KENNETH ROCAFORT
On sale FEBRUARY 6 • 64 pg, FC, $7.99 US • RATED T
• Romance is in the air in this very special Special!
• Wonder Woman consults Eros himself about her feelings for The Man of Steel.
• Barbara Gordon has always been too busy for romance, but could her role as Batgirl bring her back to the first guy she ever kissed?
• Following the events of "Death in the Family," how can Catwoman ease Batman's troubled soul?
• Aquaman makes waves as he treats his wife like a queen for a day.
• From the pages of STORMWATCH, Apollo and Midnighter celebrate Valentine's Day separately but with each other in mind. Who—or what—stands between them?
• Dick Grayson and the daughter of Lucious Fox meet-cute!
• Plus: Perforated Valentine's Day cards featuring the stars of these stories!

[Lois Lane]

 

[Deadpool]

Come siete stucchevoli 

[The Joker]

A Step Nearer To Twilight Of The Superheroes?

I've run this theory before. But the evidence keeps mounting up.

That, step by step, DC Comics is laying the groundwork to run Twilight Of The Superheroes, the Alan Moore pitch that they bought, lock, stock and two smoking Benson And Hedges, before Moore fell out with the company and withdrew his labour.

But DC Comics owns the pitch, fair and square.

The plot of the framing device is as follows: the story starts at its ending in a one-page prologue that takes place at the end of 1987 in a bar someplace in New York. John Constantine sits drinking alone, looking very bitter and pissed off at somebody or other. A striking and personable blonde enters the bar and, noticing Constantine, leans over and asks him for a light. Constantine, sitting there with a crumpled letter in one
bunched fist and a glass in the other, glances up at her and then stares at her as if transfixed. We close up on his face and then move into flashback. Basically, the whole series is what passes through Constantine's mind in the two seconds it takes him to respond to the girl asking him for a light.

You can read the whole pitch here.

We've seen the uses of the Houses of Secrets and Mysteries, we've seen Superman and Wonder Woman getting it together, w've seen a man from the future changing his own past (Booster Gold in the Dan DiDio/Geoff Johns Justice League International Annual), we've even seen one destroyed future in Swamp Thing/Animal Man's Rotworld.

But John Constantine, at the centre of the Twilight Of The Superheroes story, is getting his own comic in the New 52. Originally, Twilight Of The Superheroes was intended to spin Constantine off into his own book.

Joining the dots by dots by dots by dots...

http://www.bleedingcool.com/2012/11/13/a-step-nearer-to-twilight-of-the-superheroes/

Qui il pitch di Alan Moore alla DC per un ipotetico crossover (per cui la DC detiene ancora i diritti):
http://fourcolorheroes.home.insightbb.com/twilightfree.html
Consiglierei la lettura anche solo per capire com'era Moore quando ancora non ce l'aveva con la DC e il mainstream in generale (e da' anche un suo punto di vista molto interessante sulla questione crossover).

...Siamo davvero vicini al vedere il crossover di Alan Moore realizzato oggi da altri autori?

[Azrael]

LEMIRE, Co-Writer On the Future of CONSTANTINE in JL: DARK



http://www.newsarama.com/comics/jeff-lemire-ray-fawkes-constantine-and-justice-league-dark.html

[Un Fumettaro]

uff... rivoglio Milligan

[Azrael]

ANN NOCENTI HANGS UP "GREEN ARROW," UNSHEATHES "KATANA"



http://www.comicbookresources.com/?page=article&id=42205

[UltimateMM]

A Step Nearer To Twilight Of The Superheroes?

I've run this theory before. But the evidence keeps mounting up.

That, step by step, DC Comics is laying the groundwork to run Twilight Of The Superheroes, the Alan Moore pitch that they bought, lock, stock and two smoking Benson And Hedges, before Moore fell out with the company and withdrew his labour.

But DC Comics owns the pitch, fair and square.

The plot of the framing device is as follows: the story starts at its ending in a one-page prologue that takes place at the end of 1987 in a bar someplace in New York. John Constantine sits drinking alone, looking very bitter and pissed off at somebody or other. A striking and personable blonde enters the bar and, noticing Constantine, leans over and asks him for a light. Constantine, sitting there with a crumpled letter in one
bunched fist and a glass in the other, glances up at her and then stares at her as if transfixed. We close up on his face and then move into flashback. Basically, the whole series is what passes through Constantine's mind in the two seconds it takes him to respond to the girl asking him for a light.

You can read the whole pitch here.

We've seen the uses of the Houses of Secrets and Mysteries, we've seen Superman and Wonder Woman getting it together, w've seen a man from the future changing his own past (Booster Gold in the Dan DiDio/Geoff Johns Justice League International Annual), we've even seen one destroyed future in Swamp Thing/Animal Man's Rotworld.

But John Constantine, at the centre of the Twilight Of The Superheroes story, is getting his own comic in the New 52. Originally, Twilight Of The Superheroes was intended to spin Constantine off into his own book.

Joining the dots by dots by dots by dots...

http://www.bleedingcool.com/2012/11/13/a-step-nearer-to-twilight-of-the-superheroes/

Qui il pitch di Alan Moore alla DC per un ipotetico crossover (per cui la DC detiene ancora i diritti):
http://fourcolorheroes.home.insightbb.com/twilightfree.html
Consiglierei la lettura anche solo per capire com'era Moore quando ancora non ce l'aveva con la DC e il mainstream in generale (e da' anche un suo punto di vista molto interessante sulla questione crossover).

...Siamo davvero vicini al vedere il crossover di Alan Moore realizzato oggi da altri autori?

Quindi se non ho capito male, sarebbe un crossover che anticipava in qualche modo i new 52?

[Mr. Seven]

I've run this theory before. But the evidence keeps mounting up.

That, step by step, DC Comics is laying the groundwork to run Twilight Of The Superheroes, the Alan Moore pitch that they bought, lock, stock and two smoking Benson And Hedges, before Moore fell out with the company and withdrew his labour.

But DC Comics owns the pitch, fair and square.

The plot of the framing device is as follows: the story starts at its ending in a one-page prologue that takes place at the end of 1987 in a bar someplace in New York. John Constantine sits drinking alone, looking very bitter and pissed off at somebody or other. A striking and personable blonde enters the bar and, noticing Constantine, leans over and asks him for a light. Constantine, sitting there with a crumpled letter in one
bunched fist and a glass in the other, glances up at her and then stares at her as if transfixed. We close up on his face and then move into flashback. Basically, the whole series is what passes through Constantine's mind in the two seconds it takes him to respond to the girl asking him for a light.

You can read the whole pitch here.

We've seen the uses of the Houses of Secrets and Mysteries, we've seen Superman and Wonder Woman getting it together, w've seen a man from the future changing his own past (Booster Gold in the Dan DiDio/Geoff Johns Justice League International Annual), we've even seen one destroyed future in Swamp Thing/Animal Man's Rotworld.

But John Constantine, at the centre of the Twilight Of The Superheroes story, is getting his own comic in the New 52. Originally, Twilight Of The Superheroes was intended to spin Constantine off into his own book.

Joining the dots by dots by dots by dots...

http://www.bleedingcool.com/2012/11/13/a-step-nearer-to-twilight-of-the-superheroes/

Qui il pitch di Alan Moore alla DC per un ipotetico crossover (per cui la DC detiene ancora i diritti):
http://fourcolorheroes.home.insightbb.com/twilightfree.html
Consiglierei la lettura anche solo per capire com'era Moore quando ancora non ce l'aveva con la DC e il mainstream in generale (e da' anche un suo punto di vista molto interessante sulla questione crossover).

...Siamo davvero vicini al vedere il crossover di Alan Moore realizzato oggi da altri autori?
[/quote]

Quindi se non ho capito male, sarebbe un crossover che anticipava in qualche modo i new 52?
[/quote]

No.
Twilight of super-heroes era originariamente il crossover che Moore propose alla DC e che gli rifiutarono.
Un crossover che vedeva al centro delle vicende proprio Constantine (personaggio da lui creato su Swamp Thing).
Immaginavo che con l'avvento del New 52 e del ritorno di Constantine nel DCU, prima o poi alla DC si sarebbero appropriati dell'idea di Moore, e secondo me passo dopo passo (come dice l'articolo) ci arriveremo.
Nella maxisaga di Moore Superman e Wonder Woman erano sposati, e attualmente

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

per non parlare poi di John Constantine, al centro degli eventi di quella saga e attualmente parte integrante del New 52.

[Azrael]

DANIEL TALKS "JUSTICE LEAGUE" AND "ACTION COMICS"




http://www.comicbookresources.com/?page=article&id=42197

[Azrael]

Exclusive First Look at Tony Harris' Variant Cover for JSA LIBERTY FILES: THE WHISTLING SKULL #1

On December 19, JSA LIBERTY FILES: THE WHISTLING SKULL #1 will land in stores.

Below, take an exclusive first look at the issue's variant cover by series artist Tony Harris: