Guardians of the Galaxy (USA) di B.M. Bendis

[Nightmist]

Forse ha anche qualche pagina in più del normale, cmq si il team creativo è sempre quello

[Azrael]

5/5

CVine: http://www.comicvine.com/reviews/guardians-of-the-galaxy-2/1900-1676/

[cybertroniano]

altro voto positivo.
anche questa mi ispira come serie 

[emmeemmeesse]

Al minuto 0:39 c'è un bel plagio della Marvel.

[Green Lantern]

quale sarebbe? 

[Azrael]

4.5/5

CBR: http://www.comicbookresources.com/?page=user_review&id=5944

[emmeemmeesse]

quale sarebbe? 

Identica all'armatura di Iron Man che usa nei Guardians of the Galaxy. E siccome Tiger & Bunny è più vecchiotto...

[Sef-]

quale sarebbe? 

Identica all'armatura di Iron Man che usa nei Guardians of the Galaxy. E siccome Tiger & Bunny è più vecchiotto...

Ma dove?!?! 

[Azrael]

While I found Bendis' initial work on Guardians of the Galaxy to be lackluster and erratic, I found Issue #2 to be much more in line with what we've come to expect of Bendis (including the excessive dialogue). Where writing a team book can be very difficult, Bendis shines while smoothly bouncing from character to character all while building his mythos, crafting great action sequences, and solidifying his cast of characters as true heroes in Marvel's extensive universe.

Previous issues of Guardians of the Galaxy failed to give a sense of ability or understanding to the characters, but much like the climactic battle of Joss Whedon's Avengers, Bendis highlights each character's strengths, giving readers a better grasp of ability and personality. No one person takes the spotlight so each member is highlighted in his/her own way. By the end of the issue, readers will have a much clearer appreciation of the team members.

Bendis also shifts away from the intense action to develop a backstory for the invasion. While I found these moments to be a bit tedious (due to the copious amount of dialogue), Bendis raises some interesting points about Earth's presence in the universe, and he reminds readers of our planet being the focal point of all the action in the galaxy. He doesn't posit a reason for this, but he definitely laying the ground work the ethos of our humanity, and its larger role in the context of Guardians.

The comic also has to thank the sharp and detailed work of its artists, Steve McNiven and Sara Pichelli. McNiven takes control of the action sequences, using fine inks which work better in close up shots rather than distance ones. A lot of the action is compressed meaning that McNiven is confined to smaller panels which occasionally hinder his abilities. But when he draws characters up close, they're rendered with impeccable detail. Some of his other work, however, loses its sharpness, but this is only really noticeable in contrast to Pichelli's work.

Because while McNiven has the action, Pichelli gets the plot. Her work appears in the sequences involving Peter Quill's father, J-Son, and a troupe of intergalactic leaders who each express fear of Earth's growing power and its role in the universe. Pichelli gets more page space, giving her art a smoother texture and finish than McNiven's, but both artists benefit from Justin Ponsor's vivid and vibrant colors.

For a comic packed with a plethora of characters, Guardians of the Galaxy goes far in establishing its heroes, developing their originality, and highlighting each person's role in the story. The transitions in the action sequences are fluid and seamless, and the climax offers a reason to come back next month to see the fate of the team. Count me impressed and on board with Guardians of the Galaxy, a comic that provides readers with a new doorway into the Marvel Universe, and a picture of a world full of intrigue and excitement.

8/10

Newsarama

[emmeemmeesse]

quale sarebbe? 

Identica all'armatura di Iron Man che usa nei Guardians of the Galaxy. E siccome Tiger & Bunny è più vecchiotto...

Ma dove?!?! 

Al minuto 00:39. Ci assomiglia, ma, al di là di questo, l'armatura galattica di Tony è di chiara ispirazione orientale.

[Jabberwocky]

Sì, in effetti sembrerebbe un po' Jappa-inside, tranne l'elmo, che ricorda invece varie altre cose dell'universo galattico della Marvel tra cui anche il viso di Annihilus

Spiacente, ma non sei autorizzato a visualizzare il contenuto degli spoiler.

In ogni caso non è il top del character design, quei due tubi di scappamento posteriori l'appesantiscono troppo.

[emmeemmeesse]

Oddio! Quei tubi...che cosa orribile! 

[Deadpool]

Cristo, vi state sempre a lamentare di TUTTO. Ma godeteveli i fumetti invece di stare li a guardare ogni cosa che non vi piace 

[emmeemmeesse]

Cristo, vi state sempre a lamentare di TUTTO. Ma godeteveli i fumetti invece di stare li a guardare ogni cosa che non vi piace 

Ma se non c'è niente per cui godere, come si fa? 

[Deadpool]

Cristo, vi state sempre a lamentare di TUTTO. Ma godeteveli i fumetti invece di stare li a guardare ogni cosa che non vi piace 

Ma se non c'è niente per cui godere, come si fa? 

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