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Deadpool (USA) di Duggan, Posehn

Aperto da Azrael, 17 Ottobre 2012, 23:21:35

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Sennar

allora positivo il nuovo deadpool?

Azrael



DEADPOOL #9-10
GERRY DUGGAN & BRIAN POSEHN (W) • MIKE HAWTHORNE (A)
Cover by ART ADAMS (#9) & TONY MOORE (#10)
• Deadpool targets a MAN with AQUATIC powers!
• Then he teams-up with your SUPERIOR Neighborhood SPIDER-MAN!
• I PROMISE HE KILLS ONE OF THOSE TWO!
32 PGS. (EACH)/Parental Advisory ...$2.99 (EACH)
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PREVIEW: DEADPOOL #5



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PREVIEW: DEADPOOL #6 (UNLETTERED)



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DEADPOOL #11-12
GERRY DUGGAN & BRIAN POSEHN (W) • MIKE HAWTHORNE (A)
Issue #11 - Cover by TONY MOORE
Issue #12 - Cover by TRADD MOORE
Issue #11 - Wolverine Costume Variant By Amanda Conner
• Concluding the 2nd arc of MARVEL NOW! Deadpool!
• Can Wade trust hell to keep their side of his contract?
• Will all of Deadpool's new friends end up dead because of him?
• Are turkey sandwiches better than ham?
• 2 of these 3 questions will be answered!
32 PGS. (EACH)/Parental Advisory ...$2.99 (EACH)
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PREVIEW: DEADPOOL #6



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emmeemmeesse

Citazione di: Azrael il 14 Febbraio 2013, 19:07:27

• Deadpool targets a MAN with AQUATIC powers!
• Then he teams-up with your SUPERIOR Neighborhood SPIDER-MAN!
• I PROMISE HE KILLS ONE OF THOSE TWO!



Citazione di: Azrael il 08 Marzo 2013, 21:21:30

• Concluding the 2nd arc of MARVEL NOW! Deadpool!
• Can Wade trust hell to keep their side of his contract?
• Will all of Deadpool's new friends end up dead because of him?
• Are turkey sandwiches better than ham?
• 2 of these 3 questions will be answered!


Ma le sintesi o come si chiamano sono esilaranti.  :stralol:
I think this just might be my masterpiece. (Q. Tarantino)


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PREVIEW: DEADPOOL #7



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Forget dead presidents — the Marvel Universe already has a colorful history for Deadpool to lampoon, as Brian Posehn, Gerry Dugan and Scott Koblish knock it out of the park with a crude, rude and altogether hilarious take on the somber Iron Man story "Demon in a Bottle." From Posehn and Dugan's constant Spider-Man in-jokes ("Is Uncle Ben going to get shot again?" Peter Parker asks himself at one point) to the spot-on '80s homage Koblish pulls, you will find a lot to laugh about. Part of that is because the writers and the artist each do their own thing, letting the comedians riff in dialogue while Koblish just makes everything look goofy as hell. Think of an extended MAD Magazine gag targeted squarely at comics lore, and you've got this comic in a nutshell. Quite the surprising — and satisfying — read.

9/10


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I'll admit, it's been a while since I looked in on Brian Posehn and Gerry Duggan's Deadpool. The first two issues didn't impress me, to say the least, and I've never been a fan of Deadpool as a character, but I wanted the book to work so badly that I gave it a shot, and it still fell flat. Now, 7 issues into their run, I'm back for this done-in-one "flashback" story that takes the Merc with a Mouth deep into a classic Marvel story, and mines some great material in the process.

First off, the biggest thing that's really striking about Deadpool #7 is that it's actually pretty funny. Posehn and Duggan take their time actually selling some pretty perfect gags, like their portrayal of early '80's Peter Parker, or the booze-filled Hostess Fruit-Pie parody in the middle of the book. Even the letter column was solid gold. There are still some duds, like Deadpool's lone fart joke, that drag things down just enough to render the book shy of perfect, but the fact that Posehn and Duggan manage to actually tell a story around a fairly simple gag and introduce some compelling concepts - like the idea of a demon lawyer embezzling power from Hell - to boot is a step up. It's just a shame that those concepts are undoubtedly going to be lost in the fray when this book goes back on whatever rails it was traveling down.

Scott Koblish and Val Staples are kind of a dream team when it comes to this style of throwback art. It captures the essence of the low paper stock days perfectly, while never truly eschewing entirely the modern sensibilities that make Deadpool #7 readable and fun. While Koblish's charming characters and pen and marker style inks are the perfect balance of nostalgic and current, Val Staples is the real stand-out. His ability to mimic the off-kilter printing and half-tone colors of the bronze age are what really sell the story. This issue - especially the spot on art - really makes me yearn for a series of "Quantum Leap" style stories shuffling Deadpool through different eras of Marvel Comics from this team. It's an idea that's been touched on before, and the gag involving 'Pool's occasional companion Cable at the end really sell that idea, though it's destined to be another good idea passed over in favor of more of the usual shtick.

Sadly, it seems it's back to business as usual next issue, though I will admit that this brief detour does make me want to give the regular team another shot at selling me on Deadpool. This issue, given as proof of concept, shows that Duggan and Posehn can balance their inherent humor with some semblance of storytelling, to the benefit of both. If nothing else, it would be great to see more issues from Scott Koblish, as he and regular colorist Val Staples seem to be on a much better wavelength than Staples and regular artist Tony Moore. Here's hoping some of what makes this issue so much fun finds its way into the creative team's standard arsenal.

9/10


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