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Black Canary (USA) di Brenden Fletcher

Aperto da Azrael, 10 Marzo 2015, 15:06:53

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Azrael



There's nothing quite like the disappointment of seeing one of your favorite comic book's newest issue's with an unexpected creative change. But, the temporary loss of the book's regular crew shouldn't be an automatic reason to skip this issue in itself. The main draw of this fill-in, and the biggest reason to consider picking it up, is Moritat's art. Moritat's style is just a few degrees removed from Annie Wu's, but uniquely striking in its own original way. Matthew Rosenberg's story of a little girl's birthday party littered with assassins is simple and charming enough, but loses some of the energy and voice that Brenden Fletcher brings to the book. As far as fill-ins go, this one is enjoyable and worth a look. –Levi

Final Score:

7.3/10

IGN
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Black Canary #9

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Review by David Pepose
'Rama Rating: 9 out of 10
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Wow, just when you thought that the Black Canary series had already reached its end, we get an issue like this. Unlike some other DC books that are seemingly just spinning their wheels until Rebirth comes along, Brenden Fletcher is using these final months to catapult Black Canary through an epic story exploring the hero's past and a mystery involving her mother. Fletcher drops us in medias res in this one, and it's jarringly effective when combined with the surreal telling of the tale. Sandy Jarrell is on art on this one, and the artist's assured lines and clean storytelling make Sandy a natural addition to this gorgeously drawn run. Don't let the lack of Annie Wu or other DC malaise elsewhere fool you: this is a terrific and mandatory read for any Black Canary fans. - Levi

Final Score:

8.6/10

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Black Canary #11 (Published by DC Comics; Review by Richard Gray; 'Rama Rating: 9 out of 10):

Fully embracing the German post-punk and art-rock elements that inspired it, this is a very art-led issue that drops some heavy hints of bombshells about D.D. past and that of her family. There are moments, especially as D.D. stands on top of a pile of distended and unconscious bodies, that Sandy Jarrell's art takes on the qualities of later era Frank Miller, especially around the lips of the Bauhaus-esque Orato, who looks for all the world like one of The Dark Knight Returns mutants in his vampiric qualities. Lee Loughridge's bold color choices bathe each page in a unique shade, giving even the rare static images a sense of movement. Leaving us on an intriguing cliffhanger, the comic with its own fictional band continues to be one of "DC You"'s most interesting experiments until the very end.
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For a book so defined by fun and hope, this is one bleak and depressing issue. Fans of this series will find a very unsettling tone as this story goes on, as we see the entirety of Dinah Lance's life to come pass in a very soulless fashion. So, at this point you're probably thinking, "this issue sounds just miserable." And parts of it are. But, the success of this issue is how this bleak tone is cast in such stark contrast to everything that came in the 11 issues prior - and of course, there's still the happy ending which you'll have to read for yourself. So, as offsetting as it may initially be, it winds up being a very powerful and affirming capper to this unique series. Annie Wu and Sandy Jarrell are the artists on this farewell show, and both artists give this book the face rocking final number it deserves. - Levi

Final Score:

8.2/10

IGN
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Black Canary #12

Review by Richard Gray
'Rama Rating: 10 out of 10


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The Batman (2022) - Batcycle 🦇 REEL

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Fedele all'Ordine di Saint Dumas e al Pipistrello
Combatteremo le idee con idee migliori

Azrael

INSTAGRAM: AZRAEL'S CAVE

The Batman (2022) - Batcycle 🦇 REEL

The Batman (2022) McFarlane by Jim Lee 🦇 REEL 🦇



Fedele all'Ordine di Saint Dumas e al Pipistrello
Combatteremo le idee con idee migliori